Module 1


Module 1 - Theory class 1
History and Evolution Mural Painting
History of Mural painting
Crete, Greece and Egypt
India and China
Pre-Columbian Americas
Etruscan Murals
Roman Fresco
Encausto
Medieval Fresco
Renaissance Fresco
Sgraffito
Secco other methods of mural painting
Baroque decorations on gesso
Modern mural painting
Materials and Methods in Italy
Structural support
Masonry walls
Wood structures and lath
Plaster support
Fresco: arriccio, intonaco
Secco: arriccio intonaco,
Image preparation and transfer
Cartoni
Stencils
Sinopia
Spolvero
Giornata
Pigments
Carbonation
Organic Binders
Coatings
Glazes and varnishes
Module 1 - Field Work/ Workshop
Materials, Methods, Surveying and Documentation
Workshop:
Painting Samples
Students make samples of different painting techniques using traditional materials and methods.
Encausto
Medieval Fresco
Renaissance Fresco
Sgraffito
Secco mural painting
Baroque decorations on gesso
Gilding on fresco and Gesso
Field work:
Inside Church of San Giovanni Battista Monastery of the Maddalena
Surveying and Documentation
Photographic
Infrared
Lazer scanning
Grazing light
Spectroscopy
Taping (sound)
Ultrasound testing
Endoscopies
Documentation
Scientific Testing
Removing Whitewashes
Testing samples
Large scale
Module 1 - Theory class 2
Mural paintings: materials, physics and chemistry
Support:
Stone
Lime plaster
Gesso
Pictorial layers
Pigments
Carbonation
Organic binders (temperas)
Gilding
Coatings: traditional, modern
Contacts
International Institute for Restoration and Preservation Studies LLC (IIRPS)
203 Seventh Ave
Brooklyn, NY 11215 , USA , Tel: 718-768-3508
Phone
pwithers@iirpsemail.org
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